{"id":997,"date":"2015-12-17T17:35:57","date_gmt":"2015-12-17T17:35:57","guid":{"rendered":"http:\/\/www.josepmariaguix.com\/es\/trabajos\/chamber\/"},"modified":"2025-08-25T12:46:17","modified_gmt":"2025-08-25T10:46:17","slug":"camara","status":"publish","type":"page","link":"https:\/\/www.josepmariaguix.com\/es\/obras\/camara\/","title":{"rendered":"C\u00e1mara"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbsection\u00bb _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_row admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.16&#8243; custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p style=\"text-align: center; font-size: 0.9em;\">\u201c<em>He escuchado con todo inter\u00e9s y seguido la partitura que me haces llegar; te adelanto que con entusiasmo\u201d<\/em><br \/>\n<strong>Jos\u00e9 Luis Temes<\/strong>, director de orquesta<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<h1>C\u00e1mara<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=\u00bboff\u00bb column_padding_mobile=\u00bbon\u00bb admin_label=\u00bbRow\u00bb module_class=\u00bbaudios-guix\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb make_fullwidth=\u00bboff\u00bb use_custom_width=\u00bboff\u00bb width_unit=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.16&#8243; custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Silence.mp3&#8243; title=\u00bbFragments-Fortuny (2025) \u00bb artist_name=\u00bbfor Violin, Cello &#038; Piano &#8211; 13 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.24.0&#8243; background_layout=\u00bbdark\u00bb hover_enabled=\u00bb0&#8243; use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb sticky_enabled=\u00bb0&#8243;][\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.24.0&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><a href=\"https:\/\/www.universaledition.com\/en\/Works\/Fragments-Fortuny\/P0313345\">https:\/\/www.universaledition.com\/en\/Works\/Fragments-Fortuny\/P0313345<\/a><\/p>\n<p>This music, of long gestation and vague contours, originates from a fascination with the late sketches and unfinished works of the painter Mari\u00e0 Fortuny i Marsal (1838-1874). The drawings are often made with a swift stroke, seemingly seeking the essence of a previous sketch. The incomplete paintings, in turn, reveal the compositional stages, while highlighting certain elements over others in areas where the canvas remains untouched. In both cases, these works seem to demand a contemporary reading, and in this sense, they reveal a very significant relevance.<\/p>\n<p>&nbsp;<\/p>\n<p>Captivated by this rich universe and encouraged by the 150th anniversary of the artist&#8217;s death, I decided to compose a chamber work dedicated specifically to the members of the Trio Fortuny, with whom I had already had the opportunity to collaborate\u2014and thus, I could attest to their interpretations full of musicality, commitment, and craftsmanship.<\/p>\n<p>&nbsp;<\/p>\n<p>The trio is structured in three movements, each of them related to a visual work by the painter from Reus.<\/p>\n<p>&nbsp;<\/p>\n<p>The 1st movement is based on <em>The Painter&#8217;s Children in the Japanese Salon<\/em> and practices obsessive\u2014almost childlike\u2014insistence on a main motif, which ends up developing through various scenarios, often interrupted, fragmented, or diluted.<\/p>\n<p>&nbsp;<\/p>\n<p>The 2nd movement, summery in character, evokes the painter&#8217;s stay in Portici, a small town in Southern Italy that marked a departure from the usual themes of his earlier work, fostering a creative effervescence, blue and luminous.<\/p>\n<p>&nbsp;<\/p>\n<p>The 3rd movement, inspired by the sketches and textures of <em>The Spanish Wedding<\/em>, suggests the appearance of a fandango, a dance that, during the brief life of the Catalan artist, already implied music from a previous time, associated with the characters in his works, from that \u00abpainting of housecoats,\u00bb seemingly accompanied by the chords of Luigi Boccherini.<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2023\/08\/09-Guix-Esbos.mp3&#8243; title=\u00bbEsb\u00f3s (2021) \u00bb artist_name=\u00bbfor Violin &#038; Piano &#8211; 4 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.18.0&#8243; background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.18.0&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p><a href=\"https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/esbos-34065\">https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/esbos-34065<\/a><\/p>\n<p>Nota de programa:<\/p>\n<p>Aquesta breu obra mant\u00e9 concomit\u00e0ncies amb els enlla\u00e7os harm\u00f2nics que caracteritzen la <i>folia<\/i> espanyola -tot i que es basa en un material tem\u00e0tic propi-, i, sobretot, amb els principis de repetici\u00f3 obstinada i transformaci\u00f3 progressiva t\u00edpics de la xacona.<\/p>\n<p>Alhora, fuig de l\u2019estructura tradicional de tema amb variacions per crear una amalgama concentrada, en la qual es juxtaposen diversos fragments i s\u2019insinuen elaboracions possibles, sorgeixen reminisc\u00e8ncies destil\u00b7lades d\u2019estils pret\u00e8rits i, a la fi, apareix l\u2019element generador de la composici\u00f3.<\/p>\n<p>&nbsp;<\/p>\n<p>Nota de programa:<\/p>\n<p>Esta breve composici\u00f3n establece paralelismos con los enlaces arm\u00f3nicos t\u00edpicos de la <i>folia<\/i> espa\u00f1ola -a pesar de basarse en un material tem\u00e1tico propio- y, sobre todo, acusa el principio de <i>ostinato<\/i> y progresiva transformaci\u00f3n caracter\u00edsticos de la chacona.<\/p>\n<p>No obstante, rehuye la disposici\u00f3n habitual de la estructura de tema con variaciones para construir una suerte de amalgama concentrada, en la que se yuxtaponen fragmentos diversos y se insin\u00faan posibles desarrollos, a la vez que surgen reminiscencias de estilos pasados para, finalmente y de forma velada, mostrar el elemento generador de la obra.<\/p>\n<p>&nbsp;<\/p>\n<p>Program note:<\/p>\n<p>This brief composition, <i>Sketch<\/i> (<i>upon and ancient glossa<\/i>), establishes parallelisms with the typical harmonic links found in the Spanish <i>folia<\/i> -although it is based on personal thematic material- and, especially, with the concept of <i>ostinato<\/i> and progressive transformation that characterise a chaconne.\u00a0<\/p>\n<p>Nevertheless, it stays away from the traditional structure of theme with variations to build a concentrated mix, in which various fragments are juxtaposed and possible developments are insinuated. At the same time, there are reminiscences from past styles to reveal, in a very veiled manner, the element catalyser of the piece.\u00a0<\/p>\n<p>[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2020\/03\/15-Ll\u00e0grimes-de-tardor.mp3&#8243; title=\u00bbLl\u00e0grimes de tardor (2018) \u00bb artist_name=\u00bbfor Violin &#038; Piano &#8211; 4 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.18.0&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p><a href=\"https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/llagrimes-de-tardor-34108\">https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/llagrimes-de-tardor-34108<\/a><\/p>\n<p>Nota de programa:<\/p>\n<p>Anys enrere vaig descobrir, casualment, un vi de la Terra Alta de nom for\u00e7a po\u00e8tic, <i>Ll\u00e0grimes de tardor<\/i>, i vaig pensar que, si sorgia l\u2019ocasi\u00f3, miraria de compondre una obra amb aquest mateix t\u00edtol. Qui m\u2019havia de dir que, temps despr\u00e9s, l\u2019inter\u00e8s pels <i>haikus<\/i> japonesos em conduiria a descobrir l\u2019expressi\u00f3 \u201cvent de tardor\u201d, un motiu recurrent que impregna de melangia molts d\u2019aquests poemes.<\/p>\n<p>La hist\u00f2ria recent ens ha dut, d\u2019altra banda, a ser testimonis d\u2019uns fets excepcionals durant les acaballes de setembre i l\u2019inici d\u2019un octubre malaguanyat, les conseq\u00fc\u00e8ncies dels quals encara no podem albirar.<\/p>\n<p>L\u2019esperit de desconsol associat a l\u2019estaci\u00f3 autumnal va accentuar-se m\u00e9s encara quan vam saber que el nostre company de feina, en F\u00e8lix, portava mala pe\u00e7a al teler. L\u2019estiu passat, la malaltia se\u2019l va endur, per\u00f2 en la mem\u00f2ria de tots aquells que el vam con\u00e8ixer restaran sempre les seves intervencions assenyades, la seva humilitat i, sobretot, el gran comprom\u00eds amb la seva tasca com a professor.<\/p>\n<p>Aquesta senzilla elegia, que s\u2019enceta amb una atmosfera ben tardorenca i que, lentament, va assolint un clima m\u00e9s llumin\u00f3s i esperan\u00e7at, vol retre-li homenatge.<\/p>\n<p>Josep Maria Guix<\/p>\n<p>Nota de programa:<\/p>\n<p>A\u00f1os atr\u00e1s descubr\u00ed por casualidad un vino de la DO Terra Alta cuyo nombre resultaba sumamente po\u00e9tico, <i>Ll\u00e0grimes de tardor <\/i>(L\u00e1grimas de oto\u00f1o), y pens\u00e9 que, si surg\u00eda la ocasi\u00f3n, compondr\u00eda una obra bajo ese mismo t\u00edtulo. El azar me condujo, tiempo despu\u00e9s, a interesarme por los <i>haikus<\/i> japoneses, as\u00ed como al descubrimiento de la expresi\u00f3n \u201cviento de oto\u00f1o\u201d, un motivo habitual que impregna de melancol\u00eda buena parte de dichos poemas.<\/p>\n<p>En nuestra historia reciente, por otra parte, hemos sido testigos de unos acontecimientos excepcionales a finales de septiembre y principios de octubre, hechos cuyas consecuencias no podemos vislumbrar a\u00fan.<\/p>\n<p>Ese esp\u00edritu de nostalgia oto\u00f1al se acrecent\u00f3 a\u00fan m\u00e1s al conocer el grave pron\u00f3stico de nuestro compa\u00f1ero de trabajo, F\u00e8lix, y, sobre todo, cuando, el pasado verano, la enfermedad pudo con \u00e9l. Pero los recuerdos que nos lega siguen muy vivos: una persona humilde, de buen juicio y con un compromiso enorme en su labor docente.<\/p>\n<p>Esta breve eleg\u00eda, que recrea en sus primeros compases esa atm\u00f3sfera oto\u00f1al antes de dar paso a una luz de esperanza, quiere rendirle homenaje.<\/p>\n<p>Josep Maria Guix<\/p>\n<p>Program note:<\/p>\n<p>Years ago I casually discovered a wine with a poetic name. It was called <i>Ll\u00e0grimes de tardor (<\/i>Autumn Tears). I found it quite inspirational and the idea of writing a composition with the same name started floating around my mind.<\/p>\n<p>Destiny took me, years later, to get interested in <i>haikus<\/i> and I discovered the expression \u2018Autumn Wind\u2019, a frequent motive which impregnates the poems with melancholy.<\/p>\n<p>Furthermore, in our recent history, we have witnessed exceptional events at the end of September and beginning of October which consequences are yet to come.<\/p>\n<p>The spirit of nostalgia increased even more when my dear colleague, F\u00e8lix, got very sick and eventually, the desease took him away from us. Despite this tragic end our thoughts and prayers on him are still very much alive: a humble, kind-hearted and determined man.<\/p>\n<p>This short elegy recreates in the first measures this autumnal atmosphere opening the doors to hope and honouring him.<\/p>\n<p>Josep Maria Guix<\/p>\n<p><div data-url=\"https:\/\/issuu.com\/josepmariaguix\/docs\/ll_grimes_de_tardor-complet-02\" style=\"width: 1080px; height: 763px;\" class=\"issuuembed\"><\/div>\n<p><script type=\"text\/javascript\" src=\"\/\/e.issuu.com\/embed.js\" async=\"true\"><\/script><\/p>\n<p>[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Guix-Restless-Wind-Neu-prova.mp3&#8243; title=\u00bbRestless Wind (2017) \u00bb artist_name=\u00bbfor Clarinet Quartet &#8211; 7 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.18.0&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p><a href=\"https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/restless-wind-36358\">https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/restless-wind-36358<\/a><\/p>\n<p>Nota de programa:<\/p>\n<p>Aquesta obra parteix d\u02bcun plantejament conceptual molt senzill: mirar de produir amb un quartet de clarinets id\u00e8ntics un joc sonor espacial similar al d\u02bcuna obra per a instrument solista amb tractament electr\u00f2nic en temps real \u2013filtratges i <i>delays<\/i>, sobretot.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Pel que fa al caire po\u00e8tic, el t\u00edtol de l\u2019obra prov\u00e9 de la lletra d\u2019<i>Across the Universe<\/i> (\u201c&#8230; like a restless wind inside a letter box&#8230;\u201d), i pret\u00e9n evocar el moviment del vent en una mena de <i>divertimento <\/i>no exempt d\u2019un cert to tardorenc, relacionat amb el m\u00f3n de la poesia japonesa.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><span class=\"Apple-converted-space\"><\/span><\/p>\n<p>Nota de programa:<\/p>\n<p>Esta obra parte de un planteamiento conceptual muy sencillo: crear un juego sonoro<span class=\"Apple-converted-space\">\u00a0 <\/span>espacial con un cuarteto de clarinetes id\u00e9nticos, similar al que surgir\u00eda en una composici\u00f3n para un instrumento solista con tratamiento electr\u00f3nico en tiempo real -filtrajes y <i>delays<\/i>, especialmente.<\/p>\n<p>A nivel po\u00e9tico, el t\u00edtulo de la obra proviene de la letra de <i>Across the Universe<\/i> (\u201c&#8230; like a restless wind inside a letter box&#8230;\u201d), y pretende evocar el vaiv\u00e9n del viento a trav\u00e9s de un <i>divertimento<\/i> con cierto car\u00e1cter oto\u00f1al relacionado, asimismo, con el mundo de la poes\u00eda japonesa.<\/p>\n<p>&nbsp;<\/p>\n<p>Program note:<\/p>\n<p>\u00a0The conceptual idea contained in this work is very simple: a kind of spatial and sound game between four clarinets similar to a composition for soloist and live electronics -with filtering process and delay.<\/p>\n<p>On the other hand, the title comes from <i>Across the Universe<\/i> (\u201c&#8230; like a restless wind inside a letter box\u2026\u201d), and the piece, a<span class=\"Apple-converted-space\">\u00a0 <\/span>kind of <i>divertimento<\/i>, is trying to evoque the wind with an autumnal sense, close to traditional Japanese poems.<\/p>\n<p>[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Tres-haikus-ST2-00-reverb.mp3&#8243; title=\u00bbThree Haikus for String Quartet (2016) \u00bb artist_name=\u00bbfor String Quartet &#8211; 7 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]Nota de programa:<br \/>\nQuan mesos enrere vaig enllestir la composici\u00f3 d\u2019uns haikus per a violoncel sol vaig adonar-me que alguns d\u2019ells demanaven un desenvolupament i una ampliaci\u00f3 ulteriors. De seguida vaig pensar en el quartet de corda com a mitj\u00e0 idoni per seguir insistint en una m\u00fasica subtil i concentrada, que defuig la bullanga quotidiana i els escarafalls est\u00e8tics per tal de bastir un discurs intimista, nu de tot ornament superflu.<br \/>\nEl so d\u2019una campana en la llunyania \u2013en el primer dels haikus-, el recorregut plaent d\u2019una papallona al costat d\u2019un p\u00e8tal que cau \u2013cas del segon- i el soroll mec\u00e0nic d\u2019una pedregada nocturna \u2013darrer haiku- originen unes peces que, amb pretensi\u00f3 evocadora, prioritzen el timbre, el contrapunt i el ritme, respectivament.<br \/>\nI.<br \/>\nEl sonido de la campana \/ se expande \/ en la bruma del alba.<br \/>\nBASHO<br \/>\nII.<br \/>\nUna mariposa midi\u00e9ndose \/ Con un p\u00e9talo que cae: \/ \u201cA ver qui\u00e9n es m\u00e1s leve\u201d.<br \/>\nAN\u00d3NIMO<br \/>\nIII.<br \/>\nRuido del granizo. \/ Ruido del tel\u00e9grafo. \/ Paisaje nocturno por la ventana.<br \/>\nSETSUJIN<\/p>\n<p>https:\/\/issuu.com\/josepmariaguix\/docs\/string_quartet-complet-00<br \/>\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Suaument-dins-la-tristesa-reverb-De-No.mp3&#8243; title=\u00bbSuaument, dins la tristesa (2015) \u00bb artist_name=\u00bbfor Duet (fl, pno) &#8211; 3 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.18.0&#8243; body_line_height=\u00bb1.7000000000000002em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p><a href=\"https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/suaument-dins-la-tristesa-36378\">https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/suaument-dins-la-tristesa-36378<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>This short composition is based on a Japanese <em>haiku<\/em> by J\u00f4s\u00f4. The poem reflects a deep feeling of sadness during a light snowfall.<\/p>\n<p>Comissioned by the players \u2013Jordi Torrent and Qiao Zhang- the work coincides with the recent death of Ram\u00f3n Oteo, a wise professor and a family friend. He showed me how to enjoy great literature in a passionate way.<\/p>\n<p>This is the reason why the piece evolves from an initial agitation to an elegiac, intimist mood, although hopefull.<\/p>\n<p style=\"text-align: center;\"><em>The sleet falls<br \/><\/em><em>As if coming through the bottom<br \/><\/em><em>Of loneliness<\/em><\/p>\n<p style=\"text-align: center;\">J\u00f4s\u00f4<\/p>\n<p style=\"text-align: left;\">[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/04-Soroll-daigua.mp3&#8243; title=\u00bbSoroll d\u2019aigua (2015)\u00bb artist_name=\u00bbfor Clarinet Trio (Bb cl, vlc, pno) &#8211; 7 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb module_class=\u00bbprogram_note\u00bb _builder_version=\u00bb4.18.0&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p><a href=\"https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/soroll-d-aigua-36595\">https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/soroll-d-aigua-36595<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Soroll d\u2019aigua<\/em> (<em>Water noise<\/em>) is a brief composition in three movements, based on Japanese haikus. The presence of water (sea, river, rain) is the structural axis of the whole work.<\/p>\n<p>&nbsp;<\/p>\n<p>The first movement contains two main ideas: a distant frozen Winter sea with whale songs and sounds (clarinet and cello), and the Spring hope built on aquatic piano sounds.<\/p>\n<p>The second movement is a quite nocturne with extremely delicate sounds.<\/p>\n<p>Rain references, from thunder to drizzle, are the basis of the last movement of this fragile, subtle music.<\/p>\n<p>[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_margin=\u00bb||0px|\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<div class=\"et_pb_audio_module clearfix et_pb_module et_pb_bg_layout_light et_pb_text_color_dark et_pb_audio_no_image et_pb_audio_1\" style=\"background-color: #faf6ed; margin-bottom: 0;\">\n<div class=\"et_pb_audio_module_content et_audio_container\">\n<h2>Rumor de agua (2015)<\/h2>\n<p class=\"et_audio_module_meta\"><strong>for Trio (Bb cl, vla, pno) &#8211; 7 min.<\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<em>Rumor de agua<\/em> (<em>Water noise<\/em>) is a brief composition in three movements, based on Japanese haikus. The presence of water (sea, river, rain) is the structural axis of the whole work.<\/p>\n<p>The first movement contains two main ideas: a distant frozen Winter sea with whale songs and sounds (clarinet and viola), and the Spring hope built on aquatic piano sounds.<\/p>\n<p>The second movement is a quite nocturne with extremely delicate sounds.<\/p>\n<p>Rain references, from thunder to drizzle, are the basis of the last movement of this fragile, subtle music.<br \/>\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/03-Wind-Chimes.mp3&#8243; title=\u00bbWind&#8230; Chimes! (2015) \u00bb artist_name=\u00bbfor Duet (2 pno) &#8211; 7 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]This work, commissioned by pianists Emili Brugalla and Vesko Stambolov, takes the idea of wind chimes as point of departure. The piece evolves from a light beginning in canon to an astonishing end, in which both pianos play the role of four big church bells. Main melodic material consists in a quick succession of perfect fourths built in the principle of electronic delay.<br \/>\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/06-Tres-haikus-viola-i-piano.mp3&#8243; title=\u00bbTres haikus per a viola i piano (2014)\u00bb artist_name=\u00bbfor Duet (vla, pno) &#8211; 6 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]This three little pieces are based on the three <em>haikus<\/em> by Bash\u00f4, Buson and Kanna written above. The music, following the japanese poems and also linked to the extremely inspiring pictures of <em>Ukiyo-e<\/em>, is trying to recreate the essence of this subtle and evocative world. The point of departure is <em>Tres haikus per a cello i piano<\/em> (2009).<br \/>\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Silence.mp3&#8243; title=\u00bbTwo haikus for violin and cello (2014)\u00bb artist_name=\u00bbfor Duet (vl, vlc) &#8211; 3 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Silence.mp3&#8243; title=\u00bbWind Voices (2013)\u00bb artist_name=\u00bbfor Duet (Bb cl, pno) &#8211; 8 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.18.0&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p><a href=\"https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/wind-voices-36294\">https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/wind-voices-36294<\/a><\/p>\n<p>This short work for clarinet and piano is based on the five Japanese <em>haikus<\/em> written above. The wind sound is one of the main elements and the music is trying to recreate images and feelings related to the original poems. Concentration, refinement and beauty are the compositional principles found in <em>haikus<\/em> and, at the same time, in this music.<\/p>\n<p>[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/02-Slowly-in-mist.mp3&#8243; title=\u00bbSlowly&#8230; in mist (2012)\u00bb artist_name=\u00bbfor Piano Trio (vl, vlc, pno) &#8211; 8 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.16&#8243; body_line_height=\u00bb1.7000000000000002em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p style=\"text-align: center;\">the lake is slowly<br \/>\nlost in mist&#8230;<br \/>\nevening falls<\/p>\n<p style=\"text-align: center;\">from evening mist<br \/>\nthe bell<br \/>\nof life passing<\/p>\n<p style=\"text-align: center;\">in morning mist<br \/>\na frenzy of drops<br \/>\nfrom the tree<\/p>\n<p>The <em>haiku<\/em> captures the beauty of the moment, uniting image and feeling to describe what we see, subtly trapping the essence of the world. Of necessity it must be brief, as it conveys truth concentrated to the highest degree. The poems by Issa Kobayashi (1763-1828) written above, are the starting point for this music, similarly brief, refined and evocative.<\/p>\n<p>A linking device gives unity to the whole: the mist. A mist whose presence in the composition blurs melodic contours, diffuses harmonies, modulates colours, crushes the rhythm. The sound emerges from out of the mist and the mist submerges itself within the sound, and within our thoughts.<\/p>\n<p>In the work, each poem alludes to one movement. The peaceful introduction evokes nocturne and is charged with spirituality: time stands still. The bell awakens random reminiscences, rewinds lived-through moments. With the morning the freshness returns, the present, the pleasure of the game, a fleeting <em>scherzo<\/em>.<\/p>\n<p>Partitura:<\/p>\n<div data-url=\"https:\/\/issuu.com\/lamadeguido\/docs\/mg405\" style=\"width: 1080px; height: 764px;\" class=\"issuuembed\"><\/div>\n<p><script type=\"text\/javascript\" src=\"\/\/e.issuu.com\/embed.js\" async=\"true\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/11-Tres-haikus-cello-i-piano.mp3&#8243; title=\u00bbTres haikus per a cello i piano (2009)\u00bb artist_name=\u00bbfor Duet (vlc, pno) &#8211; 8 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.18.0&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.18.0&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<p><a href=\"https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/tres-haikus-per-a-cello-i-piano-36395\">https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/tres-haikus-per-a-cello-i-piano-36395<\/a><\/p>\n<p>Nota de programa:<\/p>\n<p>Aquesta obra sorgeix a partir de la imatge po\u00e8tica suggerida per tres <i>haikus<\/i> de Bash\u00f4, Buson i Kanna, respectivament. La m\u00fasica, igual que els poemes japonesos a qu\u00e8 fa refer\u00e8ncia, pret\u00e9n recrear aquest m\u00f3n concentrat i essencial, de gran refinament t\u00e8cnic i, sobretot, d\u2019enorme poder evocador.<\/p>\n<p>L\u2019obra va ser estrenada l\u2019any 2009 en el <i>Festival de m\u00fasiques religioses i del m\u00f3n<\/i> de Girona.<\/p>\n<p>&nbsp;<\/p>\n<p>Nota de programa:<\/p>\n<p>Esta composici\u00f3n nace a partir de la imagen sugerida por tres <i>haikus<\/i> de Bash\u00f4, Buson i Kanna, respectivamente. La m\u00fasica, de la misma forma que lo llevan a cabo los breves poemas japoneses, pretende recrear este universo concentrado y esencial, de gran refinamiento t\u00e9cnico y, por encima de todo, de enorme capacidad evocadora.<\/p>\n<p>La obra fue estrenada en el a\u00f1o 2009 en el marco del <i>Festival de m\u00fasicas religiosas y del mundo<\/i> de Girona.<\/p>\n<p>&nbsp;<\/p>\n<p>Program note:<\/p>\n<p>This three little pieces are based on the three <i>haikus<\/i> by Bash\u00f4, Buson and Kanna written above. The music, linked to the Japanese poems and also to the extremely inspiring pictures of <i>Ukiyo-e<\/i>, is trying to recreate the essence of this subtle and evocative world.<\/p>\n<p>The composition was premiered in Girona cathedral during the <i>Religious and World Music Festival<\/i> (2009).<\/p>\n<p><i><\/i><\/p>\n<p><i>Nozarashi o<\/i><\/p>\n<p><i>Kokoro ni kaze no<\/i><\/p>\n<p><i>Shimu mi kana<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>Sense sostre ni recer,<\/p>\n<p>el vent em penetra<\/p>\n<p>l\u2019\u00e0nima.<\/p>\n<p>&nbsp;<\/p>\n<p>A la intemperie,<\/p>\n<p>se va infiltrando el viento<\/p>\n<p>hasta mi alma.<\/p>\n<p>&nbsp;<\/p>\n<p>Coolness:<\/p>\n<p>Slowly, the wind<\/p>\n<p>is reaching my soul.<\/p>\n<p>&nbsp;<\/p>\n<p>BASH\u00d4<\/p>\n<p>&nbsp;<\/p>\n<p><i>Suzushisa ia<\/i><\/p>\n<p><i>Kane o janaruru<\/i><\/p>\n<p><i>Kane no koe<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>Frescor pertot.<\/p>\n<p>Fuig de la campana<\/p>\n<p>la campanada.<\/p>\n<p>&nbsp;<\/p>\n<p>Todo frescor.<\/p>\n<p>Huye de la campana<\/p>\n<p>la campanada.<\/p>\n<p>&nbsp;<\/p>\n<p>Freshness.<\/p>\n<p>The bell sound escaping<\/p>\n<p>from the bell.<\/p>\n<p>&nbsp;<\/p>\n<p>BUSON<\/p>\n<p>&nbsp;<\/p>\n<p><i>Nagaregi no<\/i><\/p>\n<p><i>yoru kata yasashi<\/i><\/p>\n<p><i>aki no kaze<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>Ventijol de tardor:<\/p>\n<p>la fusta a la deriva<\/p>\n<p>s\u2019atura dol\u00e7ament a la riba.<\/p>\n<p>&nbsp;<\/p>\n<p>Brisa de oto\u00f1o:<\/p>\n<p>madera a la deriva<\/p>\n<p>que vara suavemente en la ribera.<\/p>\n<p>&nbsp;<\/p>\n<p>Autumn breeze;\u00a0<\/p>\n<p>driftwood<\/p>\n<p>landing lightly on the bank.\u00a0\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p>KANNA<\/p>\n<p>[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/07-Petit-Trio-pour-Guinjoan-2001.mp3&#8243; title=\u00bbPetit trio pour Guinjoan (2001)\u00bb artist_name=\u00bbfor Piano Trio (vl, vlc, pno) &#8211; 4 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/01-Landscape.mp3&#8243; title=\u00bbLandscape (2000)\u00bb artist_name=\u00bbfor Quintet and Electronics (fl, Bb cl, vl, vlc, pno) XIV Premio SGAE J\u00f3venes Compositores (2000) &#8211; 12 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][et_pb_divider _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/02-Canvas.mp3&#8243; title=\u00bbCanvas (1995)\u00bb artist_name=\u00bbfor Quartet (Bb cl, vl, vlc, pno) X Premi de Composici\u00f3 Ciutat d\u2019Alcoi de M\u00fasica de Cambra (1995) &#8211; 6 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16&#8243; title_font_size=\u00bb24&#8243; background_color=\u00bb#faf6ed\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]&nbsp;<br \/>\n[\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cHe escuchado con todo inter\u00e9s y seguido la partitura que me haces llegar; te adelanto que con entusiasmo\u201d Jos\u00e9 Luis Temes, director de orquesta C\u00e1mara https:\/\/www.universaledition.com\/en\/Works\/Fragments-Fortuny\/P0313345 This music, of long gestation and vague contours, originates from a fascination with the late sketches and unfinished works of the painter Mari\u00e0 Fortuny i Marsal (1838-1874). The drawings [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":164,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/pages\/997"}],"collection":[{"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/comments?post=997"}],"version-history":[{"count":28,"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/pages\/997\/revisions"}],"predecessor-version":[{"id":3292,"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/pages\/997\/revisions\/3292"}],"up":[{"embeddable":true,"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/pages\/164"}],"wp:attachment":[{"href":"https:\/\/www.josepmariaguix.com\/es\/wp-json\/wp\/v2\/media?parent=997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}