{"id":1013,"date":"2015-12-17T17:37:19","date_gmt":"2015-12-17T17:37:19","guid":{"rendered":"http:\/\/www.josepmariaguix.com\/es\/trabajos\/voice\/"},"modified":"2025-08-29T18:23:48","modified_gmt":"2025-08-29T16:23:48","slug":"voice","status":"publish","type":"page","link":"https:\/\/www.josepmariaguix.com\/es\/obras\/voice\/","title":{"rendered":"Voice"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbsection\u00bb _builder_version=\u00bb4.16″ global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_row admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\u201cHe escuchado con todo inter\u00e9s y seguido la partitura que me haces llegar; te adelanto que con entusiasmo\u201d<\/em>
\nJos\u00e9 Luis Temes<\/strong>, director de orquesta<\/p>\n

[\/et_pb_text][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

Vocal<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=\u00bboff\u00bb column_padding_mobile=\u00bbon\u00bb admin_label=\u00bbRow\u00bb module_class=\u00bbaudios-guix\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb make_fullwidth=\u00bboff\u00bb use_custom_width=\u00bboff\u00bb width_unit=\u00bbon\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2025\/08\/Songs-for-Julia-gravacio-Auditori.m4a\u00bb title=\u00bbSongs for J\u00falia (2023)\u00bb artist_name=\u00bbfor Soprano and Orchestra 3 (pic.).3.3 (b.cl).3 \/ 4.3.3.1 \/ timp. \/ 3 perc \/ harp \/ pno. \/ 16.14.12.10.8 – 11 min.\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.24.0″ hover_enabled=\u00bb0″ use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb sticky_enabled=\u00bb0″] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.24.0″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

Score: https:\/\/www.universaledition.com\/en\/Works\/Songs-for-Julia\/P0265445<\/a><\/p>\n

Nota de programa:<\/p>\n

L\u2019origen d\u2019aquesta composici\u00f3 cal cercar-lo vuit anys enrere, arran de la lectura d\u2019una antologia d\u2019antics poemes xinesos. Alguns d\u2019ells, for\u00e7a suggerents, van despertar en mi la voluntat de musicar-los, sobretot per la manera com la natura despertava una intensa emoci\u00f3 i generava un estat d\u2019\u00e0nim en els protagonistes.<\/p>\n

Aquest fet va coincidir, alhora, amb el comprom\u00eds de la meva filla gran per estudiar cant de forma professional. Vaig decidir que, si sorgia l\u2019ocasi\u00f3, miraria de compondre una versi\u00f3 per a veu femenina i orquestra, amb la intenci\u00f3 d\u2019oferir-li com a regal.\u00a0<\/span><\/p>\n

El cicle consta de tres breus can\u00e7ons i s\u2019endinsa en un lirisme tranquil, ple de colors delicats, de resson\u00e0ncies sonores i emocionals, en el qual les ambig\u00fcitats t\u00edmbriques i harm\u00f2niques s\u00f3n sempre benvingudes.<\/p>\n

L\u2019obra ha estat ecarregada per l\u2019Orquestra simf\u00f2nica de Barcelona i nacional de Catalunya amb motiu dels 25 anys de L\u2019Auditori. L’estrena va ser el dia 22 de mar\u00e7 de 2024, amb la soprano Anna Devin i l’OBC, sota la batuta de Ludovic Morlot.<\/p>\n

 <\/p>\n

Nota de programa:<\/p>\n

Esta composici\u00f3n empez\u00f3 a gestarse ocho a\u00f1os atr\u00e1s, a ra\u00edz de la lectura de una antolog\u00eda de antiguos poemas chinos. Algunos de ellos, muy sugerentes, despertaron en m\u00ed la voluntad de musicarlos, especialmente por la manera como la naturaleza generaba una intensa emoci\u00f3n al ser contemplada y, asimismo, prolongaba un estado de \u00e1nimo.<\/p>\n

Todo ello coincidi\u00f3, al mismo tiempo, con el compromiso que llev\u00f3 a cabo mi hija mayor: estudiar canto de manera profesional. Decid\u00ed entonces que, si surg\u00eda la ocasi\u00f3n, me aventurar\u00eda a componer un ciclo para voz femenina y orquesta, para ofrec\u00e9rselo como regalo<\/p>\n

Las tres breves canciones que integran la obra se sumergen en un apacible lirismo, lleno de colores delicados, de resonancias sonoras y emocionales, en el cual las ambig\u00fcedades t\u00edmbricas y arm\u00f3nicas son siempre bienvenidas.\u00a0<\/span><\/p>\n

La obra ha sido encargada por la Orquestra simf\u00f2nica de Barcelona i nacional de Catalunya para conmemorar los 25 a\u00f1os de L\u2019Auditori de Barcelona. El estreno fue el d\u00eda 23 de marzo de 2024, con la soprano Anna Devin y la OBC, bajo la batuta de Ludovic Morlot.<\/p>\n

 <\/p>\n

 <\/p>\n

Program notes:<\/p>\n

This composition began to take shape eight years ago, following the reading of an anthology of ancient Chinese poems. Some of them, quite suggestive, awakened in me the desire to set them in music, especially because of the way nature generated intense emotion when contemplated and, at the same time, prolonged a state of mind.<\/p>\n

All of this coincided, at the same time, with the commitment my elder daughter made: to study singing professionally. I decided then that, if the opportunity arose, I would venture to compose a cycle for female voice and orchestra, to offer it as a gift.<\/p>\n

The three short songs that make up the work immerse themselves in a tranquil lyricism, full of delicate colors, sonorous and emotional resonances, in which timbral and harmonic ambiguities are always welcome.<\/p>\n

The work has been commissioned by the Orquestra simf\u00f2nica de Barcelona i nacional de Catalunya on the occasion of the 25th anniversary of L\u2019Auditori. The piece was premiered in Barcelona (March 23rd 2024) with soprano Anna Devin and OBC, conducted by Lodovic Morlot.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

Let not my love (2021)<\/h2>\n

for three\u00a0voices (SAB) and three corni di bassetto- 4 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2021\/11\/Let-not-my-love-estrena-timestretch.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]Lyrics:\u00a0William Shakespeare<\/p>\n

Music: Josep Maria Guix<\/p>\n

Comissioned by Trio Cornuc\u00f2pia<\/p>\n

PDF score: Let not my love<\/a><\/p>\n

 
\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

Llunyana\u00a0(2021)<\/h2>\n

for two Choirs\u00a0(SSAATTBB & SSAA) – 2\u00a0min.<\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2021\/11\/Llunyana-estrena-processat.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]Score in PDF: Llunyana<\/a><\/p>\n

Lyrics:\u00a0Agust\u00ed Bartra<\/p>\n

Music: Josep Maria Guix<\/p>\n

 
\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

Clara, l’art per dins\u00a0(2020)<\/h2>\n

for two Female Singers,\u00a0Children\u00a0Choir and Ensemble (Fl, Cl, F. Horn, Perc, Harp, Pno, Vl &\u00a0Vlc) \u00a0– 50 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2021\/10\/Clara-sencer.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]Letra: Jordi Llavina<\/p>\n

Di\u00e1logos: Marc Donat<\/p>\n

M\u00fasica: Josep Maria Guix<\/p>\n

Obra encargo de L’Auditori de Barcelona<\/p>\n

Partitura en PDF: Clara, l’art per dins<\/a><\/p>\n

 <\/p>\n

https:\/\/issuu.com\/josepmariaguix\/docs\/clara-general_completa_definitiva-01_numerat
\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

Ave Maria\u00a0(2020)<\/h2>\n

for Mixed Choir\u00a0(SAATTB) – 2 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Silence.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.18.0″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/ave-maria-36423<\/a><\/p>\n

 <\/p>\n

[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

Tres breus can\u00e7ons sobre poemes d’Antoni Clap\u00e9s (2020)<\/h2>\n

for Voice and Piano – 5 min. <\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Silence.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbConmutador\u00bb _builder_version=\u00bb4.24.0″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

Score: https:\/\/www.universaledition.com\/en\/Works\/Tres-cancons-sobre-poemes-d-Antoni-Clapes\/P0275568<\/a><\/p>\n

 <\/p>\n

Espais que la llum perfora,\u00a0<\/span><\/p>\n

al\u00e8 que la llum penetra:\u00a0<\/span><\/p>\n

paraules que enceten dansa\u00a0<\/span><\/p>\n

pels fils courats del capvespre.\u00a0<\/span><\/p>\n

Antoni Clap\u00e9s: Tagrera<\/i><\/p>\n

 <\/p>\n

Llum de neu davallant\u00a0<\/span><\/p>\n

pel pend\u00eds dels prats:<\/p>\n

sorda mem\u00f2ria del gla\u00e7.\u00a0<\/span><\/p>\n

Antoni Clap\u00e9s: Arbre que s\u2019alluny\u00e0<\/i><\/p>\n

 <\/p>\n

Una remor de silenci<\/p>\n

s\u2019al\u00e7a del paisatge blanc –\u00a0<\/span><\/p>\n

una emoci\u00f3 que vibra<\/p>\n

\u00a0 \u00a0 <\/span>molt m\u00e9s enll\u00e0<\/p>\n

d\u2019aquest instant.<\/p>\n

Antoni Clap\u00e9s: Heimat<\/i><\/p>\n

[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

Ave Maris Stella (2018)<\/h2>\n

for Soloist, Mixed Choir\u00a0(SSAATTBB), Cello & Bell – 5 min. <\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Guix-Ave-maris-stella-Vimeo.m4a\u00bb admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]Score:<\/p>\n

https:\/\/issuu.com\/josepmariaguix\/docs\/ave_maris_stella-complet-01?utm_source=conversion_success&utm_campaign=Transactional&utm_medium=email
\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

La Dama de Lleida (2017)<\/h2>\n

for Soloist, Mixed Choir\u00a0(SSAATTBB), Viola da gamba, Theorbo and Percussion\u00a0– 5 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/La-Dama-de-Lleida-live-02.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]Score:<\/p>\n

https:\/\/issuu.com\/josepmariaguix\/docs\/la_dama_de_lleida-complet-01
\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

Since brass (2017)<\/h2>\n

for Mixed Choir\u00a0(SSAATTBB) – 3 min.
\n<\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2023\/08\/Since-brass-premiere-20-11-2022-reverb.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.18.0″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.18.0″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

https:\/\/www.universaledition.com\/josep-maria-guix-8296\/works\/since-brass-36036<\/p>\n

[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

O vos omnes (2017)<\/h2>\n

for Mixed Choir, Bb Clarinet, Crotales and Tubular Bells\u00a0– 3 min.
\n<\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Silence.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]Score in PDF: O vos omnes<\/a>
\n[\/et_pb_toggle][et_pb_divider _builder_version=\u00bb4.18.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbText\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n
\n

Pax optima rerum (2016)<\/h2>\n

for Female Choir and Percussion – 3 min.<\/strong><\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_audio audio=\u00bbhttps:\/\/www.josepmariaguix.com\/wp-content\/uploads\/2015\/12\/Pax-assaig-live-reverb.mp3″ admin_label=\u00bbAudio\u00bb _builder_version=\u00bb4.16″ background_layout=\u00bbdark\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb] [\/et_pb_audio][et_pb_toggle admin_label=\u00bbToggle\u00bb _builder_version=\u00bb4.16″ body_line_height=\u00bb1.7000000000000002em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb use_border_color=\u00bboff\u00bb border_color=\u00bb#ffffff\u00bb border_style=\u00bbsolid\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n

\n

Comissioned by\u00a0Cor Scherzo and Jordi Casas.
\nLyrics by Silius Italicus and Anonymous.<\/p>\n

PAX<\/p>\n

Pax optima rerum, quas homini novisse datum est<\/p>\n

Pax una triumphis innumeris potior<\/p>\n

Silius Italicus (c.25-101 A.D.)<\/p>\n

ECLESIASTES<\/p>\n

Omnia tempus habent et suis spatiis transeunt universa sub caelo<\/p>\n

tempus nascendi et tempus moriendi tempus plangendi et tempus saltandi<\/p>\n

tempus occidendi et tempus sanandi tempus destruendi et (tempus) aedificandi<\/p>\n

tempus adquirendi et tempus perdendi tempus scindendi et tempus consuendi<\/p>\n

tempus tacendi et tempus loquendi tempus dilectionis et tempus odii<\/p>\n

tempus flendi et tempus ridendi tempus belli et tempus pacis<\/p>\n

Anonymous<\/p>\n

Score:<\/p>\n

<\/div>\n